Wednesday after the weekend, the unknown star Judy Sophia's wedding decoration was almost over, but she suddenly contacted me.

She said she had new ideas about backyard design.

Previously, according to her request, the small area of the backyard was built into a Japanese-style courtyard. Now that it was almost finished, she said she had new ideas.

I was dying of a headache.

Because of the principle of customer first, I still patiently told her, "Judy, that's right. The previous design was approved by you, and the backyard is almost finished. If we revise it now, the previous budget will be..."

"What? Are you afraid we can't afford it?"

Before I could finish, Judy Sophia yelled at me over the phone.

She was afraid that I thought she had no money.

As soon as I heard she gave me the money, I said, "Well, I'll make an appointment with you. Let's meet and talk."

Judy Sophia is a real problem.

She said she recently filmed in an ancient courtyard on the outskirts of York, where she thought the garden was good, so she wanted to change her backyard into that one.

As soon as I heard it, I have a headache because the mountain was a long way from the city, and it would take me an hour or two to get there.

But the customer is the highest priority.

I had to promise.

I met her at about 12 noon the next day, because she was free at that time.

I drove up the hill early in the morning and finally arrived at the place she said at 12 o'clock.

Judy Sophia's assistant came to me and said that because the previous filming was late, her film was changed at noon. I need to wait.

Because of the film, I couldn't get into the yard, I just hung out.

The scenery on the mountain was good, and the air was good.

I sat in a daze on a stone and felt as if I could take a rest.

After half an hour, Judy's assistant came to me again and said that the film needed a long dead branch.

She didn't treat me like a total stranger.

But I dare not refuse; after all, Judy is a bad customer. If she makes trouble with me in the design, it's enough for me to be busy.

I went all the way up the hill, which seemed to have been sorted out. Don't mention dead branches. There aren't even bigger stones.

I walked for about half an hour. I couldn't find any dead branches. I was ready to return.

I turned around and saw Molly Carter!

Why was she here?

My heart suddenly raised bad premonition! I tried to walk around her, but Molly Carter just walked over.

"Why are you here?" I asked her.

Molly looked at me and said with a fake smile, "June. You asked me to come up to the mountain to pray to God which could bless the health of my baby."

I had no idea what she was talking about!

I felt a little panicky.

There's nobody here. If she pushes me down from here, even if someone can find me, my child will surely die!

The more I thought about it, the more afraid I was! So I turned around and ran!

Molly Carter grabbed me. I was so scared so I pulled her hand off and ran!

I wanted to keep my baby!

Without running for a while, I turned around and found Molly Carter had not caught up before I was relieved.

I went back to where Judy was filming, and her assistant found me, saying that Judy was tired, so she didn't want to change the courtyard. That is all.

As soon as I heard it, I was furious!

She wasted a day of my time and might have nearly killed my child!

I went down the hill in a huff and went back to work overtime.

By 11 p.m., though I still wanted to work, I was afraid that the baby couldn't stand it, so I had to leave work and go home.

As soon as I got to my door, several policemen came up and said, "June Carter, there's evidence that you were involved in the deliberate wounding. Please come with us."

And then he handcuffed the cuffs to my wrist.